Later that night when Blanche and Stella return from their movie, the men are still playing poker.
Mitch tells Blanche that they both need each other. Louisiana city in which the Kowalskis live adds to the tensions inside the apartment. Stanley and an assistant trap Blanche. Raw physical lust forms a vital part of the life-blood of New Orleans, and of their relationship. She allows him to lead her away and does not look back or say goodbye as she goes.
It is clear that Stella was happy to leave behind her the social pretensions of her background in exchange for the sexual gratification she gets from her husband; she even is pregnant with his baby. Williams believed that casting Brando, who was young for the part as it was originally conceived, would evolve Kowalski from being a vicious older man to someone whose unintentional cruelty can be attributed to youthful ignorance.
Bearing the raw meat home from the kill in the jungle; and you — you here — waiting for him. Blanche eventually loses not only Stella but also Mitch, a possible husband. Blanche thinks that an old boy friend is coming to take her on a cruise. The theme is stated again in scene 9, when Blanche says that the opposite of death is desire.
Blanche is bewildered that Stella would go back to her abusive husband after such violence. But her pathetic attempt to find love through sexual affairs with casual acquaintances has only made her situation worse. Blanche introduces herself to him. After a scene between Stanley and Stella, Stanley gives Blanche her birthday present — a ticket back to Laurel, Mississippi.
Blanche takes Stella and runs upstairs. Blanche is shocked to find that Stella does not have a maid in the two-room flat, and she takes another drink. He is a "survivor of the stone age. Eunice assures Blanche that she is in the right place, and the Negro Woman goes to the blowing alley to fetch Stella.
Stanley comes home and tells Stella that he now has the lowdown on Blanche. And then when Mitch wants to switch the light on so that he can get a realistic look at her, she tells him that she does not want realism, she wants magic. Mitch then tries to get her to sleep with him, and Blanche demands marriage.
The story touches Mitch, who tells Blanche that they need each other. He enters in a loud-colored bowling jacket and work clothes and is carrying "a red-stained package.
Active Themes Stanley pulls off his sweaty shirt in front of Blanche, asking her about being an English teacher in Mississippi. Later that night, Stanley returns from the hospital to find Blanche dressed in an old faded evening dress.
Eunice and the Negro Women crow delightedly over the sexual innuendo of the meat-tossing. Blanche is very concerned with keeping her delicate surface appearance intact. He only has his mother and he is shortly to lose her.
It seems that she lived such a wild life in Laurel that she was asked to leave the town. Analysis The first part of this scene introduces us symbolically to the essential characteristics of Stanley Kowalski. Stella, according to production notes by director Elia Kazan, has been narcotized by his sexual superiority.
Stella tries to explain that New Orleans is different and that the apartment is not so bad. The neighbors laugh over the package of bloody meat — an obvious sexual symbol which depicts Stanley in the same way as Blanche later describes him to Stella: She prefers, instead, the dim, illusionary world of semi-darkness.
Tensions grow between her and Stanley, even as her physical attraction to him becomes palpable. Suddenly becoming upset over multiple interruptions, Stanley explodes in a drunken rage and strikes Stella.
In scene after scene, she reminds him constantly of their cultural differences.
Eunice lets Blanche into the apartment and goes after Stella. When Blanche and Mitch return from their date, Blanche explains to Mitch how much Stanley apparently hates her. Play Summary Bookmark this page Manage My Reading List Blanche DuBois arrives to visit her sister, Mrs.
Stella Kowalski, who lives in the French Quarter of New Orleans.
A short summary of Tennessee Williams's A Streetcar Named Desire. This free synopsis covers all the crucial plot points of A Streetcar Named Desire. Specifically, A Streetcar Named Desire is a commentary on the social changes taking place during the first half of the 20th century due to industrialization and immigration.
When Streetcar came out, there was a definite clash between different classes and. LitCharts assigns a color and icon to each theme in A Streetcar Named Desire, which you can use to track the themes throughout the work. A Streetcar Named Desire: Theme Analysis, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature.
This article addresses some central themes in Tennessee Williams' seminal play "A Streetcar Named Desire"; these include madness and truth-telling, rape and censorship, and the mask of the Southern Belle. Throughout, the article reference is made to contemporary literary criticism of "A Streetcar Named Desire.".A streetcar named desire analysis